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https://w.atwiki.jp/krisallenjapan/pages/61.html
Point Pleasant Beach, NJ "Scott Todd s 2010 Summer Blast Off WPLJ" Barenaked Ladiesも一緒のフリーコンサートでした。 また今回はTVで放送もされていました。(CW11 PIX II) 今回は観客のとこに降りていったり、積極的にサインを書いたりと なかなかご機嫌なご様子?? Kris Allen Performs At Jenkinson s(via morning news) Water Cooler Convo FourteenPlumsさんがまとめてくれています。 ainowさんもまとめています SET LIST 1-1 Live Like We re Dying 1-2 Man In The Mirror 1-3 The Truth 2-1 Heartless/Gangsta s Paradise 2-2 Is It Over 2-3 Alright With Me 3-1 Can t Stay Away 3-2 Come Together 3-3 Live Like We re Dying (replies) VIDEOS (より良質のものがあれば、ご一報ください) Water Cooler Convoさんもぜひご確認ください! YouTube Live Like We re Dying Man In The Mirror The Truth Heartless/Gangsta Paradise Alright With Me Can t Stay Away Come Together Live Like We re Dying (replies) ビーチボールと戯れるクリスさん。 (via Jesha84 xnycheartx22) Interview (via @sahsouha1) twitvid Heartless/Gangsta s Paradise LLWD (via @literarynut) PICS imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Kris Allen Galleryさんより もっとたくさんの写真ご覧になりたい方↓ http //www.plj.com/PhotoWall.asp?id=62560&start=21 http //krisallenphil.com/uncategorized/more-pictures-from-jersey-shore-concert-wplj/ http //krisallenphil.com/twitpics/pictures-from-jersey-shore-concert-wplj/ http //wireimage.com/SearchResults.aspx?igi=435209&s=kris%20allen&sfld=C&vwmd=e imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //twitpic.com/1ry6b3 http //twitpic.com/1ry33o (via @gracefulally) DOWN LOAD LINKS mp3 files LLWD-MITM-TT Heartless-IIO-AWM CSA-CT-LLWD(replies) (via @h2oconvo) 内容未確認(ショーの終わり部分らしいです） (via @Literarynut)
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【登録タグ Angelic Meister R SYNC.ART'S TRATRA -Extra Track- 仲村芽衣子 曲 虎柄の毘沙門天】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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現在、このページはご希望の原語でご利用いただけません。 Google 翻訳を使用すると自動翻訳 でページを表示できます。 弊社はこのサービスの提供に責任を持たず、翻訳結果を弊社でチェックすることはありません。 div id="google_translate_element" /div script function googleTranslateElementInit() {new google.translate.TranslateElement({ pageLanguage en includedLanguages ja }, google_translate_element ); } /script script src="http //translate.google.com/translate_a/element.js?cb=googleTranslateElementInit" /script United States [Change] Motion Control About Aerotech Sales Offices Literature Request Customer Service News/Tradeshows E-newsletter Sign Up Aerotech Products Actuators Air Bearing Stages Amplifiers Drive Racks Gantry Systems Goniometers Industry Solutions Lift Stages Linear Motors Linear Stages Linear/Rotary Combination Stages Manual Positioners Motion Controllers Motion Simulators NANO Technology Optical Mounts Rotary Motors Rotary Stages Spindles Accessories Markets Assembly Automotive Data Storage Education Electronic Manufacturing Fiberoptics Flat Panel Imaging Laser Processing Machine Tool Medical Military/Aerospace Optics Packaging Photovoltaic Semiconductor Test Inspection Engineered Systems Engineering Reference Software/Manuals CADs/3D Models Site Index Popular Motion Control Categories Actuators Air Bearing Stages Gantry Systems Linear Motors Linear Stages Literature Catalogs/Brochures Manuals/Software Downloads Motion Controllers Nanotechnology Optical Mounts Rotary Stages Motion Control News PRO165LM Linear Motor Stage The PRO165LM is a high-performance linear motor stage that is as accurate as it is versatile. A linear motion guide bearing system and high-performance, zero-cogging, brushless linear servomotor make the PRO165LM the stage of choice in industrial applications requiring outstanding contour accuracy and smooth velocity profiling, such as laser machining and medical component manufacturing, and other applications requiring high accuracy in a production environment. Enhanced Throughput Module (ETM) Improves Positioning Performance Aerotech’s Enhanced Throughput Module (ETM) improves the positioning performance of high-dynamic motion systems by directly measuring the unwanted motion of the machine base and communicating it back to the controller. The Aerotech ETM provides a low-cost solution for improving the productivity of new and existing equipment with easy installation and no changes to existing mechanical hardware. Engineered Motion Control Systems Aerotech s custom-engineered motion control systems range from those for semiconductor, medical, laboratory, photonics and fiberoptics, laser processing, automotive, packaging, and more. We are well-versed in vacuum and cleanroom techniques. Our extensive motion control and positioning system experience allow us to provide systems tailor-made for our customers’ operations, while employing the most accurate, highest performance motion control and positioning components available. Automation Control Solutions Brochure Aerotech s Automation Control Solutions brochure highlights our complete lines of high-performance automation controllers and software, drives, linear and rotary motors, and the benefits and features of each. Get your free hard copy or download the pdf today. Archived Motion Control News Since 1970, Aerotech has designed and manufactured the highest performance motion control and positioning systems for our customers. We are a leading supplier of motion control products to industry, government, science, and research institutions around the world. Our precision motion control products provide the critical performance for today’s demanding applications in markets such as medical device and life sciences, semiconductor and flat panel, photonics, automotive, data storage, laser processing, military/aerospace, electronic manufacturing and test, assembly, research and development, and others requiring high precision, high throughput motion control solutions. The breadth of our product line, including automated nanopositioners, planar air-bearing systems, high-speed gantries, linear and rotary and lift stages, brushless linear and rotary servomotors and drives, single- and multi-axis motion controllers, goniometers, and gimbals/optical mounts, makes us unique among motion control manufacturers. From concept to final certification, our proven products, motion control and positioning technologies assure the success of our custom engineered motion control systems. Software Revisions A3200 v2.54.005 Soloist v2.54.005 Ensemble v2.54.005 Motor Sizer v1.03 Site Enhancements View our improved FAQ section. Now you can post the questions.
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【登録タグ I めらみぽっぷ サリー ロープ 天空の花の都 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/marketresearch/pages/14.html
Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Recycled Thermoplastic Market. The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Recycled Thermoplastic Market. Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Recycled Thermoplastic Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88267?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Recycled Thermoplastic Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Recycled Thermoplastic Market Market The market segmentation of the Recycled Thermoplastic Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Recycled Thermoplastic Market. Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Recycled Thermoplastic Market based on the geographical location. This section throws light on the demand and sales output for the Recycled Thermoplastic Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88267?pu Market Key Highlights The market report on the Recycled Thermoplastic Market is a summary of the current market situation for the Recycled Thermoplastic Market. Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast W Plastics, Plastipak Holdings, Inc., PARC Corporation, Clear Path Recycling, B. Schoenberg and Co., Custom Polymers Inc., RJM International Inc., Suez SA, Merlin Plastics Alberta Inc., Ricova International Inc. Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Recycled Thermoplastic Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Recycled Thermoplastic Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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【登録タグ Q SOUND HOLIC YURiCa/花たん zikeez 強敵 -EXTRA BOSS- 曲 秘神マターラ ～ Hidden Star in All Seasons.】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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【登録タグ S Scarlet Sounds すばる ちょこふぁん ラクトガール ～ 少女密室 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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ワンランク上の【大人のバーベキュー】を楽しむ方法 日刊SPA! http //nikkan-spa.jp/201035 2012.04.28 http //nikkan-spa.jp/wp-content/uploads/2012/04/bbq_120427_1.jpg http //nikkan-spa.jp/wp-content/uploads/2012/04/bbq_120427_3.jpg http //nikkan-spa.jp/wp-content/uploads/2012/04/bbq_120427_4.jpg 【大人のバーベキュー】肉を焼くという常識を棄てろ 日刊SPA! http //nikkan-spa.jp/201217 2012.04.28 http //nikkan-spa.jp/wp-content/uploads/2012/04/bbq_120427_5.jpg http //nikkan-spa.jp/wp-content/uploads/2012/04/bbq_120427_8.jpg バーベキューはエンターテインメントだ！ 日刊SPA! http //nikkan-spa.jp/201223 2012.04.28
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Advertisement Accessibility Help Skip to content Skip to bbc.co.uk search Low graphics Help Access keys help Search term Explore the BBC BBC News Updated every minute of every day One-Minute World News News Front Page Africa Americas Asia-Pacific Europe Middle East South Asia UK England Northern Ireland Scotland Wales UK Politics Education Magazine Business Health Science Environment Technology Entertainment Also in the news ----------------- Video and Audio ----------------- Advertisement Programmes Have Your Say In Pictures Country Profiles Special Reports Related BBC sites Sport Weather On This Day Editors Blog BBC World Service Page last updated at 09 25 GMT, Friday, 24 July 2009 10 25 UK E-mail this to a friend Printable version Drivers don t trust road taxes MPs say a new consensus is needed on tackling congestion Motoring taxes have been handled so badly that drivers no longer trust what ministers say the charges pay for, an MPs report says. Inconsistency over justification for green taxes tarnished their image , according to the transport committee. Ministers should also abandon the link between unpopular congestion charge schemes and transport funding, it adds. The government said billions had been spent on public transport and it was committed to improving travel options. The cross-party committee concluded that road users remained an important source of revenue but needed to be treated fairly and with openness . Black hole For the Conservatives, Theresa Villiers said This report is further evidence of the mess Labour have made of motoring taxes. Their attempts at disguising retrospective car tax hikes as green taxes has backfired. Dressing up revenue raisers designed to plug the enormous black hole in Gordon Brown s public finances as green taxes fools no one and leaves road users aggrieved. Voluntary road pricing schemes - such as allowing drivers to pay charges related to distance, time or congestion instead of car tax or fuel duty - could be an option, the committee suggested. Richard George, Campaign for Better Transport If you drive a lot more, it s fairer that you pay more They said drivers needed clearer signals about how their taxes were being spent to reduce congestion and pollution. The report said Fuel duty has been presented, at different times, as a tool to reduce carbon emissions, a source of general revenue, and a means to fund transport investment. We are concerned that motorists are mistrustful of the government regarding taxes. Chairman Louise Ellman added The government handled a phased set of increases to Vehicle Excise Duty (car tax) so badly they tarnished the image of environmental taxes. Taxing drivers according to how much they use their cars remained the fairest method but the amount raised could be limited by the economic climate, she said. FROM THE TODAY PROGRAMME More from Today programme Send us your comments Instead, the committee recommended the government develop other measures to address congestion. Unacceptable The committee said proposed city-centre congestion charge plans had proved unacceptable in many areas. Manchester and Edinburgh have rejected congestion schemes in recent years while plans to further expand the scheme in London were dropped last year. Ms Ellman said distribution of money from the government s Transport Innovation Fund should no longer be tied to such schemes. But she believes individual drivers might be willing to pay road charges if they could offset them against road and fuel duties or get other incentives. She said a scheme in Oregon, in the US, which linked charges to duty rebates and the offer of insurance and entertainment services, had proved successful. Haulage firms have repeatedly protested against UK fuel duty Other suggestions the committee makes are for locally-funded transport improvements and tolls for foreign-registered lorries. It also says car parking charges must be proportional and local authorities should not be charging excessive prices to pay for non-related services. Although it said it had no evidence this was happening, the public was concerned about the issue. Similarly, it says penalty fines must not be used as a blatant tool to raise money from motorists and councils must spend more of the revenue raised on creating more parking spaces and improving signs. The Department of Transport said it had no plans to change the Transport Innovation Fund but stressed councils would still continue to receive funding if they did not pursue congestion schemes. As well as increased investment in buses, trains and cycle routes, it said widening roads, extending hard shoulders and improving junctions would help tackle congestion. We are committed to implementing innovative and far-reaching measures to improve the transport options available, it said. RAC Foundation director Professor Stephen Glaister said drivers were given no clear explanation of what they got in return for around £45bn paid in taxes each year. AA president Edmund King added that the public had lost trust in all political parties on motoring issues. Bookmark with Delicious Digg reddit Facebook StumbleUpon What are these? E-mail this to a friend Printable version Print Sponsor Advertisement Ads by Google Offshore Savings Guide Free Savings, Pension Investment Report for all Expats. Request Now! OffshoreInvestmentDesigner.com Global Prime Brokerage World-Class Prime Brokerage Experts With Bank of America Merrill Lynch. www.BA.ML.com/Prime Phone Taxes Going Up Nonprofit group offers Web tool to show impact of USF hikes www.phonetaxcalculator.org Advertisement SEE ALSO C-charge for peak time considered16 Mar 09 | London Transport tax proposal rejected30 Jan 09 | Manchester Voters focus on transport issues15 May 09 | Cambridgeshire EU plans new charges for lorries12 Feb 09 | Europe Voters reject congestion charge12 Dec 08 | Manchester Edinburgh rejects congestion plan22 Feb 05 | Scotland RELATED INTERNET LINKS Department of Transport Houses of Parliament The BBC is not responsible for the content of external internet sites TOP UK POLITICS STORIES Afghan mission will go on - Brown French minister bids to calm row Climate deal unlikely this year | News feeds MOST POPULAR STORIES NOW SHARED READ WATCHED/LISTENED Controversy over U2 s Berlin wall Horse genome unlocked by science A taste for the old East Germany Deadly shootings at US army base Why Ugandans want to work in Iraq Most popular now, in detail SHARED READ WATCHED/LISTENED Deadly shootings at US army base US hits China pipes with tariffs Controversy over U2 s Berlin wall In pictures Fort Hood shootings Weekly world news quiz Three bald bears perplex experts Why Ugandans want to work in Iraq Horse genome unlocked by science A taste for the old East Germany Thailand s shadowy southern insurgency Most popular now, in detail SHARED READ WATCHED/LISTENED US army base gunman in custody One-minute World News Fork lift driver crashes into shelves Five Minutes with Sesame Street Obama on horrific army shooting Army footage of shooting aftermath Prickly problem for bald hedgehog Top Gear sets off on world tour Thirsty kangaroos rampage town Shatner unveils Tussauds double Most popular now, in detail FEATURES, VIEWS, ANALYSIS Retro chic Brands from East Germany still going strong 20 years on It s quiz time! 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Market Analysis The data analysts at Market Research Future Reports (MRFR) have conducted a thorough analysis of the global Cloud Microservices Industry is estimated to value USD 2,146.7 million, thriving at a CAGR of 25% during the assessment period. The growing number of microservices architecture is anticipated to affect the global Cloud Microservices Industry 2020. Besides, the increasing demand for secured IT operations and cheap cost methods have further led to market expansion. Furthermore, the inclination of enterprises towards the private cloud for data security is projected to play an important part in market expansion. Also, the growing need to minimize the on-premise IT deployment cost is another pivotal factor leading to the growth of the market. However, insufficient technical expertise and the expenses related in the initial stage are anticipated to refrain the market from expanding. However, the outbreak of COVID-19 has resulted in a pause in the daily operational activities of the global Cloud Microservices Industry. The offices have been temporarily shut to contain the spread of coronavirus. Thorough research is being carried out on the impact of coronavirus on the worldwide market. We will provide an impact analysis report on COVID-19. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7199 Market Segmentation The worldwide cloud microservices market can be distinguished on the basis of organization size, component, deployment, verticals, and geography. On the basis of organization size, the worldwide cloud microservices market can be distinguished into large enterprise and small and medium-sized enterprises. On the basis of component, the global cloud microservices market can be distinguished into platform and services. On the basis of deployment, the worldwide cloud microservices market can be distinguished into the public cloud, private cloud, and hybrid cloud. On the basis of verticals, the worldwide cloud microservices market can be distinguished into healthcare, retail and e-commerce, media entertainment, IT telecommunication, BFSI, government, transportation and logistics, and manufacturing. On the basis of geography, the worldwide cloud microservices market can be distinguished into North America, Europe, Asia-Pacific, and Rest of the World (RoW). Regional Analysis The global market is estimated to expand significantly during the assessment period. Thorough research of North America, Europe, Asia-Pacific, and Rest of the World (RoW) has been performed. As per the study, North America is estimated to dominate the global market. It is one of the most lucrative markets, and besides, it is also one of the early adopters of microservices architecture. Several sectors are relying on technology and are actively adopting cloud microservices. Europe attains the second position. Europe is a potential market and generates a significant amount of revenue during the assessment period. The most significant factor resulting in the market expansion is the presence and participation of the developed economies such as the UK, and Germany. On the other side, the APAC region is anticipated to be the fastest-growing region. The most pivotal factor leading to market expansion is the deployment of several organization in the APAC region due to the cheap cost in providing services to customers. However, the market dynamics are estimated to be affected significantly due to the outbreak of COVID-19. Several regions have been affected due to the observation of lockdown. Key Players The established players of the global cloud microservices market are Software AG (Germany), CA Technologies, Amazon Web Services (US), IBM Corporation (US), Salesforce.com Inc (US), Microsoft Corporation (US), Infosys Limited (India), Syntel (US), Oracle Corporation (US), SmartBear Software (US). The other players contribute 30-35% in the cloud microservices market. Some of them are CoScale (Belgium), Contino (UK), Idexcel (US), Macaw (US), Kontena (Finland), Marlabs (US). Browse Complete Report @ https //www.marketresearchfuture.com/reports/cloud-microservices-market-7199 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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